![]() ![]() The interior of the record sleeve is a photograph of the band lit only by sparklers they are holding. While the cover art for the UK release on Regal Zonophone was commissioned by Procol Harum themselves, the cover art for the US release on A&M, depicting a deformed nude figure playing an upright piano in a joshua tree desert through a yellow-green filter, was created without any impetus from the band. According to Reid, the "Grand Finale" section of the song was written solely by organist Matthew Fisher. Reid heard the story told in this introduction from an American writer he met in Baghdad House, a cafe on Fulham Road. ![]() This track was written and recorded in a very piecemeal fashion for example, the spoken word introduction was recorded before any music had been written for the piece. Most of the production work was instead done by Tony Visconti, though lyricist Keith Reid credits the album's engineer, Glyn Johns, with an instrumental role in assembling the track "In Held 'Twas in I". Wilson to leave Procol Harum and join Joe Cocker's backing band. ![]() Among the grievances between them was Cordell's trying to get drummer B. Shine on Brightly is credited as produced solely by Denny Cordell, but in fact he and Procol Harum had a parting of ways roughly halfway through recording it. ![]()
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